I had the pleasure of having a recording session with saxophone player Søren Erichsen. Christian Henriksen was recording and shooting photos. Here’s the result
Confirmation by Charlie Parker:
We’ve just finished our demo.
Five tunes, 3 composed by me, a Charlie Parker tune and a Charles Trenet tune.
Listen to all five tunes on Souncloud:
Check our homepage and facebook site here:
I had the pleasure of playing the background music for two Kayak movies by adventurer and film maker, Thor F. Jensen. Great and entertaining adventure movies, with lot of beautiful pictures, great story line and lot’s of action!
From Copenhagen to Hven:
(Tunes: All the things you are, La Mer)
Salty Sideburns. From Copenhagen to Bornholm:
(Tunes: C’est si bon, Intime)
Copenhagen Django Trio is working on a new demo. Here’s a recording of the old french tune ‘Que reste-t-il des nos amours’ made famous by Charles Trennet among others. The english title is ‘I wish you love’
How does Michel Foucault use the notion of ‘event’ and what impact does it have on our way of understanding history?
This article take it’s point of departure in Alain Badiou’s speech “Panorama de la philosophie francaise contemporaine” and crosses E.H. Carr, Dag Heede, Sverre Raffensøe, Gillez Deleuze and of course Michel Foucault and his work “L’archéologie du Savoir”.
Link to pdf-file of the full article (in danish):
I will in this paper investigate the narrative account of the self. I will start this paper with a short description of narrativity. Since narrativity is a hermeneutic approach to understand the self, I will then investigate the hermeneutics of Martin Heidegger (1889-1976), and how it is derived from phenomenology. I will then look at the accounts of narrativity as described by Paul Ricoeur (1913-2005) and Kim Atkins. I will then turn to Hans-Georg Gadamer and his theories of the artwork and the aesthetic experience. I will then look at these theories in relation to narrativity. This will unfold in the discussion section, where I will argue for the possibility of “The constitution of the self through art”, which is my main philosophical problem in this paper.
Link to pdf-file of the full article:
Robert Pilgaard: Guitar
I’m playing with the Django trio the 21/2 at Operaen, Christiania.
We will be playing af mix of Django Reinhardt tunes, jazz standards, own copositions and even an Elvis Presley evergreen!
Time: 19.30 -21.30
Christian Henriksen: Bass
Robert Pilgaard: Guitar
Bjørn Fred Jensen: Guitar
See you out there!